"Othello"
stands as one of Shakespeare's saddest tragedies, toying with an audience's
hearts as Othello plunges into oblivion and madness. At the play's start, the
Moorish general marries Desdemona, the daughter of the wealthyBrabantio.
Instantly, Brabantio and a man swoon with love for Desdemona, Rodrigo, detest
Othello as an outsider due to the color of his skin, and they claim their
racial differences as a substantial obstacle of marriage. Coming into this
situation, Iago languishes in his own pity, for Othello promoted Cassio to
Lieutenant over the play's villain. As with all Shakespearean tragedies,
Othello's life seems quite nice in the first two acts. His love for Desdemona
only grows, and he wins a war against the Turks, returning safely to his wife in
Cyprus. Iago hatches a plan to both destroy his enemy and obtain the position
occupied by Cassio. He incorporates the Desdemona-seeking Rodrigo into his plan
as his puppet, promising Rodrigo's crush to him at the plot's completion. In
this plan, Iago seeks to gain the complete trust of Othello, break the trust
between the lieutenant and the general, and perpetuate a lie that Desdemona
cheats on her husband with Cassio. When the sad story unfolds, Iago beautifully
wields all the characters into his trap. Subplots surrounding Rodrigo's
questioning of Iago, Desdemona and Emilia's (Iago's wife) debates over the
roles of women, and Cassio's longing to gain the trust of Othello again add a
new layer to the story. In "Othello", a cruelly natured man devises
and implements a nefarious plan to destroy Othello, his wife, and their
livelihood.
Throughout
this story, Shakespeare uses this brilliant play to express subject matters
relevant to both the Renaissance and the present day. Othello's downfall,
though tragic, illustrates a belittling that gnaws at all humans from time to
time. He transforms into what Iago describes as a green-eyed monster, yet the
Moor's experience differs very little from most humans. Jealousy strikes at the
core, making another's possession more appealing their one's own. Even today,
extremely strong relationships end because envy strikes one of the members. It
sparks high tempers, makes people Iago-like madmen, or creates an uncomfortable
passive aggression that erodes a relationship. From "Othello", the
reader learns to convey their thoughts in a manner opposite that of the Moor.
Instead of asking Desdemona about her status with Cassio, Othello acts bitter
toward her. In addition, the play shows how the subordination of women often
leads to unnecessary suffering. The source of such
disaster stems from a sense of duty for wives to obey their husbands. From
beginning to end, Desdemona opts to remain silent, even as Othello inexplicably
acts rudely toward her. By refraining to speak against Othello as a loyal
wife, Desdemona faces the most preventable verbal and physical abuse from
Othello. In a reversed manner, Shakespeare invokes his audience with a message
on women's equality. While reading "Othello", one finds himself or
herself immersed in an applicable world, where the character's actions
dramatically mirror that of modern society.
Though
difficult to read at times, I recommend "Othello" to any experienced
Shakespeare reader. This play showcases what seems in opinion as the best
villain in literature. Iago excellently manipulates everyone around him, in
such a way I find myself unable to describe in this short summary. Only in
watching or reading the play, one sees how magnificently Iago gains the trust
of his peers and slowly incepts the ideas of his plot into their heads. Without
ever accusing Desdemona of cheating with Cassio, he sends the Moor into a
jealous rage. Contrary to most of the plays I read, I believe it is easier to
understand and more enjoyable to watch Othello rather than sit with the book.
In a theater, the characters and their emotions come across clearer than the
words on a page. Still, I find exposure to this play necessary for anyone who
enjoys devise characters and clever literature. Shakespeare brilliantly
develops his characters in "Othello", making the change in all of
them quite striking. From Act I to Act V, the reader experiences a quick
sequence of events that change the gentlest creatures into brooding monsters.
Although "Othello" seems to difficult for anyone's first Shakespeare,
I encourage those with a grip on the bard's words to read over this exquisite
depiction of character change, truest antagonism, and enriching thematic work.
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